“This is a lintel, made of sandstone. Long ago, art authorities brought this to exhibit and later register into the collection of the National Museum, but its origin is unknown due to the lack of written records.
Researchers are correctly conducting and analysis of its carved patterns and decorative elements. This is impossible at this moment to draw any conclusions about its style, period, or date sculpted. In the center of the lintel, it a divinity seated with one knee raised on the capital of the column. The head of divinity wears a crown with hair fashion in a catcher shape and appears in a niche in the shape of lotus petal. This motif is immediately above the head of Rahu, who has a large nose, staring eyes and his mouth a gaze to show up his teeth. His hands appear to grasp spread leaf stamp to place into his mouth. The upper part of the crossbow shaped is deck with six crosstrees of leaf motifs, while the space beneath the curve is carved with split leaves, where each element is an spiral motif.
In the history of Khmer architecture, lintels were mostly made of sandstone. They were usually sculpted in a rectangular shape to decorate the entrance, door or false door of a temple. Besides being a decorative element, they also serve a very important function which was to support the weight of the monument.